1 LUCY LOOKS INTO A WARDROBE

ONCE there were four children whose names were Peter, Susan, Edmund and Lucy. This story is about something that happened to them when they were sent away from London during the war because of the air-raids. They were sent to the house of an old Professor who lived in the heart of the country, ten miles from the nearest railway station and two miles from the nearest post office. He had no wife and he lived in a very large house with a housekeeper called Mrs Macready and three servants. (Their names were Ivy, Margaret and Betty, but they do not come into the story much.) He himself was a very old man with shaggy white hair which grew over most of his face as well as on his head, and they liked him almost at once; but on the first evening when he came out to meet them at the front door he was so odd-looking that Lucy (who was the youngest) was a little afraid of him, and Edmund (who was the next youngest) wanted to laugh and had to keep on pretending he was blowing his nose to hide it.

As soon as they had said good night to the Professor and gone upstairs on the first night, the boys came into the girls' room and they all talked it over.

"We've fallen on our feet and no mistake," said Peter. "This is going to be perfectly splendid. That old chap will let us do anything we like."

"I think he's an old dear," said Susan.

"Oh, come off it!" said Edmund, who was tired and pretending not to be tired, which always made him bad-tempered. "Don't go on talking like that."

"Like what?" said Susan; "and anyway, it's time you were in bed."

"Trying to talk like Mother," said Edmund. "And who are you to say when I'm to go to bed? Go to bed yourself."

"Hadn't we all better go to bed?" said Lucy. "There's sure to be a row if we're heard talking here."

"No there won't," said Peter. "I tell you this is the sort of house where no one's going to mind what we do. Anyway, they won't hear us. It's about ten minutes' walk from here down to that dining-room, and any amount of stairs and passages in between."

"What's that noise?" said Lucy suddenly. It was a far larger house than she had ever been in before and the thought of all those long passages and rows of doors leading into empty rooms was beginning to make her feel a little creepy.

"It's only a bird, silly," said Edmund.

"It's an owl," said Peter. "This is going to be a wonderful place for birds. I shall go to bed now. I say, let's go and explore tomorrow. You might find anything in a place like this. Did you see those mountains as we came along? And the woods? There might be eagles. There might be stags. There'll be hawks."

"Badgers!" said Lucy.

"Foxes!" said Edmund.

"Rabbits!" said Susan.

But when next morning came there was a steady rain falling, so thick that when you looked out of the window you could see neither the mountains nor the woods nor even the stream in the garden.

"Of course it would be raining!" said Edmund. They had just finished their breakfast with the Professor and were upstairs in the room he had set apart for them - a long, low room with two windows looking out in one direction and two in another.

"Do stop grumbling, Ed," said Susan. "Ten to one it'll clear up in an hour or so. And in the meantime we're pretty well off. There's a wireless and lots of books."

"Not for me"said Peter; "I'm going to explore in the house."

Everyone agreed to this and that was how the adventures began. It was the sort of house that you never seem to come to the end of, and it was full of unexpected places. The first few doors they tried led only into spare bedrooms, as everyone had expected that they would; but soon they came to a very long room full of pictures and there they found a suit of armour; and after that was a room all hung with green, with a harp in one corner; and then came three steps down and five steps up, and then a kind of little upstairs hall and a door that led out on to a balcony, and then a whole series of rooms that led into each other and were lined with books - most of them very old books and some bigger than a Bible in a church. And shortly after that they looked into a room that was quite empty except for one big wardrobe; the sort that has a looking-glass in the door. There was nothing else in the room at all except a dead blue-bottle on the window-sill.

"Nothing there!" said Peter, and they all trooped out again - all except Lucy. She stayed behind because she thought it would be worth while trying the door of the wardrobe, even though she felt almost sure that it would be locked. To her surprise it opened quite easily, and two moth-balls dropped out.

Looking into the inside, she saw several coats hanging up - mostly long fur coats. There was nothing Lucy liked so much as the smell and feel of fur. She immediately stepped into the wardrobe and got in among the coats and rubbed her face against them, leaving the door open, of course, because she knew that it is very foolish to shut oneself into any wardrobe. Soon she went further in and found that there was a second row of coats hanging up behind the first one. It was almost quite dark in there and she kept her arms stretched out in front of her so as not to bump her face into the back of the wardrobe. She took a step further in - then two or three steps always expecting to feel woodwork against the tips of her fingers. But she could not feel it.

"This must be a simply enormous wardrobe!" thought Lucy, going still further in and pushing the soft folds of the coats aside to make room for her. Then she noticed that there was something crunching under her feet. "I wonder is that more mothballs?" she thought, stooping down to feel it with her hand. But instead of feeling the hard, smooth wood of the floor of the wardrobe, she felt something soft and powdery and extremely cold. "This is very queer," she said, and went on a step or two further.

Next moment she found that what was rubbing against her face and hands was no longer soft fur but something hard and rough and even prickly. "Why, it is just like branches of trees!" exclaimed Lucy. And then she saw that there was a light ahead of her; not a few inches away where the back of the wardrobe ought to have been, but a long way off. Something cold and soft was falling on her. A moment later she found that she was standing in the middle of a wood at night-time with snow under her feet and snowflakes falling through the air.

Lucy felt a little frightened, but she felt very inquisitive and excited as well. She looked back over her shoulder and there, between the dark tree trunks; she could still see the open doorway of the wardrobe and even catch a glimpse of the empty room from which she had set out. (She had, of course, left the door open, for she knew that it is a very silly thing to shut oneself into a wardrobe.) It seemed to be still daylight there. "I can always get back if anything goes wrong," thought Lucy. She began to walk forward, crunch-crunch over the snow and through the wood towards the other light. In about ten minutes she reached it and found it was a lamp-post. As she stood looking at it, wondering why there was a lamp-post in the middle of a wood and wondering what to do next, she heard a pitter patter of feet coming towards her. And soon after that a very strange person stepped out from among the trees into the light of the lamp-post.

He was only a little taller than Lucy herself and he carried over his head an umbrella, white with snow. From the waist upwards he was like a man, but his legs were shaped like a goat's (the hair on them was glossy black) and instead of feet he had goat's hoofs. He also had a tail, but Lucy did not notice this at first because it was neatly caught up over the arm that held the umbrella so as to keep it from trailing in the snow. He had a red woollen muffler round his neck and his skin was rather reddish too. He had a strange, but pleasant little face, with a short pointed beard and curly hair, and out of the hair there stuck two horns, one on each side of his forehead. One of his hands, as I have said, held the umbrella: in the other arm he carried several brown-paper parcels. What with the parcels and the snow it looked just as if he had been doing his Christmas shopping. He was a Faun. And when he saw Lucy he gave such a start of surprise that he dropped all his parcels.

"Goodness gracious me!" exclaimed the Faun.THE ISLAND

ONCE there were four children whose names were Peter, Susan, Edmund, and Lucy, and it has been told in another book called The Lion, the Witch and the Wardrobe how they had a remarkable adventure. They had opened the door of a magic wardrobe and found themselves in a quite different world from ours, and in that different world they had become Kings and Queens in a country called Narnia. While they were in Narnia they seemed to reign for years and years; but when they came back through the door and found themselves in England again, it all seemed to have taken no time at all. At any rate, no one noticed that they had ever been away, and they never told anyone except one very wise grown-up.

That had all happened a year ago, and now all four of them were sitting on a seat at a railway station with trunks and playboxes piled up round them. They were, in fact, on their way back to school. They had travelled together as far as this station, which was a junction; and here, in a few minutes, one train would arrive and take the girls away to one school, and in about half an hour another train would arrive and the boys would go off to another school. The first part of the journey, when they were all together, always seemed to be part of the holidays; but now when they would be saying good-bye and going different ways so soon, everyone felt that the holidays were really over and everyone felt their term-time feelings beginning again, and they were all rather gloomy and no one could think of anything to say. Lucy was going to boarding school for the first time.

It was an empty, sleepy, country station and there was hardly anyone on the platform except themselves. Suddenly Lucy gave a sharp little cry, like someone who has been stung by a wasp.

"What's up, Lu?" said Edmund - and then suddenly broke off and made a noise like "Ow!"

"What on earth - ",began Peter, and then he too suddenly changed what he had been going to say. Instead, he said, "Susan, let go! What are you doing? Where are you dragging me to?"

"I'm not touching you," said Susan. "Someone is pulling me. Oh - oh - oh - stop it!"

Everyone noticed that all the others' faces had gone very white.

"I felt just the same," said Edmund in a breathless voice. "As if I were being dragged along. A most frightful pulling-ugh! it's beginning again."

"Me too," said Lucy. "Oh, I can't bear it."

"Look sharp!" shouted Edmund. "All catch hands and keep together. This is magic - I can tell by the feeling. Quick!"

"Yes," said Susan. "Hold hands. Oh, I do wish it would stop-oh!"

Next moment the luggage, the seat, the platform, and the station had completely vanished. The four children, holding hands and panting, found themselves standing in a woody place - such a woody place that branches were sticking into them and there was hardly room to move. They all rubbed their eyes and took a deep breath.

"Oh, Peter!" exclaimed Lucy. "Do you think we can possibly have got back to Narnia?"

"It might be anywhere," said Peter. "I can't see a yard in all these trees. Let's try to get into the open - if there is any open."

With some difficulty, and with some stings from nettles and pricks from thorns, they struggled out of the thicket. Then they had another surprise. Everything became much brighter, and after a few steps they found themselves at the edge of the wood, looking down on a sandy beach. A few yards away a very calm sea was falling on the sand with such tiny ripples that it made hardly any sound. There was no land in sight and no clouds in the sky. The sun was about where it ought to be at ten o'clock in the morning, and the sea was a dazzling blue. They stood sniffing in the sea-smell.

"By Jove!" said Peter. "This is good enough."

Five minutes later everyone was barefooted and wading in the cool clear water.

"This is better than being in a stuffy train on the way back to Latin and French and Algebra!" said Edmund. And then for quite a long time there was no more talking, only splashing and looking for shrimps and crabs.

"All the same," said Susan presently, "I suppose we'll have to make some plans. We shall want something to eat before long."

"We've got the sandwiches Mother gave us for the journey," said Edmund. "At least I've got mine."

"Not me," said Lucy. "Mine were in my little bag."

"So were mine," said Susan.

"Mine are in my coat-pocket, there on the beach," said Peter. "That'll be two lunches among four. This isn't going to be such fun."

"At present," said Lucy, "I want something to drink more than something to eat."

Everyone else now felt thirsty, as one usually is after wading in salt water under a hot sun.

"It's like being shipwrecked," remarked Edmund. "In the books they always find springs of clear, fresh water on the island. We'd better go and look for them."

"Does that mean we have to go back into all that thick wood?" said Susan.

"Not a bit of it," said Peter. "If there are streams they're bound to come down to the sea, and if we walk along the beach we're bound to come to them."

They all now waded back and went first across the smooth, wet sand and then up to the dry, crumbly sand that sticks to one's toes, and began putting on their shoes and socks. Edmund and Lucy wanted to leave them behind and do their exploring with bare feet, but Susan said this would be a mad thing to do. "We might never find them again," she pointed out, "and we shall want them if we're still here when night comes and it begins to be cold."

When they were dressed again they set out along the shore with the sea on their left hand and the wood on their right. Except for an occasional seagull it was a very quiet place. The wood was so thick and tangled that they could hardly see into it at all; and nothing in it moved - not a bird, not even an insect.

Shells and seaweed and anemones, or tiny crabs in rockpools, are all very well, but you soon get tired of them if you are thirsty. The children's feet, after the change from the cool water, felt hot and heavy. Susan and Lucy had raincoats to carry. Edmund had put down his coat on the station seat just before the magic overtook them, and he and Peter took it in turns to carry Peter's great-coat.

Presently the shore began to curve round to the right. About quarter of an hour later, after they had crossed a rocky ridge which ran out into a point, it made quite a sharp turn. Their backs were now to the part of the sea which had met them when they first came out of the wood, and now, looking ahead, they could see across the water another shore, thickly wooded like the one they were exploring.

"I wonder, is that an island or do we join on to it presently?" said Lucy.

"Don't know," said Peter and they all plodded on in silence.

The shore that they were walking on drew nearer and nearer to the opposite shore, and as they came round each promontory the children expected to find the place where the two joined. But in this they were disappointed. They came to some rocks which they had to climb and from the top they could see a fairway ahead and - "Oh bother!" said Edmund, "it's no good. We shan't be able to get to those other woods at all. We're on an island!"

It was true. At this point the channel between them and the opposite coast was only about thirty or forty yards wide; but they could now see that this was its narrowest place. After that, their own coast bent round to the right again and they could see open sea between it and the mainland. It was obvious that they had already come much more than halfway round the island.

"Look!" said Lucy suddenly. "What's that?" She pointed to a long, silvery, snake-like thing that lay across the beach.

"A stream! A stream!" shouted the others, and, tired as they were, they lost no time in clattering down the rocks and racing to the fresh water. They knew that the stream would be better to drink farther up, away from the beach, so they went at once to the spot where it came out of the wood. The trees were as thick as ever, but the stream had made itself a deep course between high mossy banks so that by stooping you could follow it up in a sort of tunnel of leaves. They dropped on their knees by the first brown, dimply pool and drank and drank, and dipped their faces in the water, and then dipped their arms in up to the elbow.

"Now," said Edmund, "what about those sandwiches?"

"Oh, hadn't we better have them?" said Susan. "We may need them far worse later on."

"I do wish," said Lucy, "now that we're not thirsty, we could go on feeling as not-hungry as we did when we were thirsty."

"But what about those sandwiches?" repeated Edmund. "There's no good saving them till they go bad. You've got to remember it's a good deal hotter here than in England and we've been carrying them about in pockets for hours." So they got out the two packets and divided them into four portions, and nobody had quite enough, but it was a great deal better than nothing. Then they talked about their plans for the next meal. Lucy wanted to go back to the sea and catch shrimps, until someone pointed out that they had no nets. Edmund said they must gather gulls' eggs from the rocks, but when they came to think of it they couldn't remember having seen any gulls' eggs and wouldn't be able to cook them if they found any. Peter thought to himself that unless they had some stroke of luck they would soon be glad to eat eggs raw, but he didn't see any point in saying this out loud. Susan said it was a pity they had eaten the sandwiches so soon. One or two tempers very nearly got lost at this stage. Finally Edmund said:

"Look here. There's only one thing to be done. We must explore the wood. Hermits and knights-errant and people like that always manage to live somehow if they're in a forest. They find roots and berries and things."

"What sort of roots?" asked Susan.

"I always thought it meant roots of trees," said Lucy.

"Come on," said Peter, "Ed is right. And we must try to do something. And it'll be better than going out into the glare and the sun again."

So they all got up and began to follow the stream. It was very hard work. They had to stoop under branches and climb over branches, and they blundered through great masses of stuff like rhododendrons and tore their clothes and got their feet wet in the stream; and still there was no noise at all except the noise of the stream and the noises they were making themselves. They were beginning to get very tired of it when they noticed a delicious smell, and then a flash of bright colour high above them at the top of the right bank.

"I say!" exclaimed Lucy. "I do believe that's an apple tree."

It was. They panted up the steep bank, forced their way through some brambles, and found themselves standing round an old tree that was heavy with large yellowishgolden apples as firm and juicy as you could wish to see.

"And this is not the only tree," said Edmund with his mouth full of apple. "Look there - and there."

"Why, there are dozens of them," said Susan, throwing away the core of her first apple and picking her second. "This must have been an orchard - long, long ago, before the place went wild and the wood grew up."

"Then this was once an inhabited island," said Peter.

"And what's that?" said Lucy, pointing ahead.

"By Jove, it's a wall," said Peter. "An old stone wall."

Pressing their way between the laden branches they reached the wall. It was very old, and broken down in places, with moss and wallflowers growing on it, but it was higher than all but the tallest trees. And when they came quite close to it they found a great arch which must once have had a gate in it but was now almost filled up with the largest of all the apple trees. They had to break some of the branches to get past, and when they had done so they all blinked because the daylight became suddenly much brighter. They found themselves in a wide open place with walls all round it. In here there were no trees, only level grass and daisies, and ivy, and grey walls. It was a bright, secret, quiet place, and rather sad; and all four stepped out into the middle of it, glad to be able to straighten their backs and move their limbs freely.THE PICTURE IN THE BEDROOM

THERE was a boy called Eustace Clarence Scrubb, and he almost deserved it. His parents called him Eustace Clarence and masters called him Scrubb. I can't tell you how his friends spoke to him, for he had none. He didn't call his Father and Mother "Father" and "Mother", but Harold and Alberta. They were very up-to-date and advanced people. They were vegetarians, non-smokers and teetotallers and wore a special kind of underclothes. In their house there was very little furniture and very few clothes on beds and the windows were always open.

Eustace Clarence liked animals, especially beetles, if they were dead and pinned on a card. He liked books if they were books of information and had pictures of grain elevators or of fat foreign children doing exercises in model schools.

Eustace Clarence disliked his cousins the four Pevensies, Peter, Susan, Edmund and Lucy. But he was quite glad when he heard that Edmund and Lucy were coming to stay. For deep down inside him he liked bossing and bullying; and, though he was a puny little person who couldn't have stood up even to Lucy, let alone Edmund, in a fight, he knew that there are dozens of ways to give people a bad time if you are in your own home and they are only visitors.

Edmund and Lucy did not at all want to come and stay with Uncle Harold and Aunt Alberta. But it really couldn't be helped. Father had got a job lecturing in America for sixteen weeks that summer, and Mother was to go with him because she hadn't had a real holiday for ten years. Peter was working very hard for an exam and he was to spend the holidays being coached by old Professor Kirke in whose house these four children had had wonderful adventures long ago in the war years. If he had still been in that house he would have had them all to stay. But he had somehow become poor since the old days and was living in a small cottage with only one bedroom to spare. It would have cost too much money to take the other three all to America, and Susan had gone.

Grown-ups thought her the pretty one of the family and she was no good at school work (though otherwise very old for her age) and Mother said she "would get far more out of a trip to America than the youngsters". Edmund and Lucy tried not to grudge Susan her luck, but it was dreadful having to spend the summer holidays at their Aunt's. "But it's far worse for me," said Edmund, "because you'll at least have a room of your own and I shall have to share a bedroom with that record stinker, Eustace."

The story begins on an afternoon when Edmund and Lucy were stealing a few precious minutes alone together. And of course they were talking about Narnia, which was the name of their own private and secret country. Most of us, I suppose, have a secret country but for most of us it is only an imaginary country. Edmund and Lucy were luckier than other people in that respect. Their secret country was real. They had already visited it twice; not in a game or a dream but in reality. They had got there of course by Magic, which is the only way of getting to Narnia. And a promise, or very nearly a promise, had been made them in Narnia itself that they would some day get back. You may imagine that they talked about it a good deal, when they got the chance.

They were in Lucy's room, sitting on the edge of her bed and looking at a picture on the opposite wall. It was the only picture in the house that they liked. Aunt Alberta didn't like it at all (that was why it was put away in a little back room upstairs), but she couldn't get rid of it because it had been a wedding present from someone she did not want to offend.

It was a picture of a ship - a ship sailing straight towards you. Her prow was gilded and shaped like the head of a dragon with wide-open mouth. She had only one mast and one large, square sail which was a rich purple. The sides of the ship - what you could see of them where the gilded wings of the dragon ended-were green. She had just run up to the top of one glorious blue wave, and the nearer slope of that wave came down towards you, with streaks and bubbles on it. She was obviously running fast before a gay wind, listing over a little on her port side. (By the way, if you are going to read this story at all, and if you don't know already, you had better get it into your head that the left of a ship when you are looking ahead, is port, and the right is starboard.) All the sunlight fell on her from that side, and the water on that side was full of greens and purples. On the other, it was darker blue from the shadow of the ship.

"The question is," said Edmund, "whether it doesn't make things worse, looking at a Narnian ship when you can't get there."

"Even looking is better than nothing," said Lucy. "And she is such a very Narnian ship."

"Still playing your old game?" said Eustace Clarence, who had been listening outside the door and now came grinning into the room. Last year, when he had been staying with the Pevensies, he had managed to hear them all talking of Narnia and he loved teasing them about it. He thought of course that they were making it all up; and as he was far too stupid to make anything up himself, he did not approve of that.

"You're not wanted here," said Edmund curtly.

"I'm trying to think of a limerick," said Eustace. "Something like this:

"Some kids who played games about Narnia Got gradually balmier and balmier - "

"Well Narnia and balmier don't rhyme, to begin with," said Lucy.

"It's an assonance," said Eustace.

"Don't ask him what an assy-thingummy is," said Edmund. "He's only longing to be asked. Say nothing and perhaps he'll go away."

Most boys, on meeting a reception like this, would either have cleared out or flared up. Eustace did neither. He just hung about grinning, and presently began talking again.

"Do you like that picture?" he asked.

"For heaven's sake don't let him get started about Art and all that," said Edmund hurriedly, but Lucy, who was very truthful, had already said, "Yes, I do. I like it very much."

"It's a rotten picture," said Eustace.

"You won't see it if you step outside," said Edmund.

"Why do you like it?" said Eustace to Lucy.

"Well, for one thing," said Lucy, "I like it because the ship looks as if it was really moving. And the water looks as if it was really wet. And the waves look as if they were really going up and down."

Of course Eustace knew lots of answers to this, but he didn't say anything. The reason was that at that very moment he looked at the waves and saw that they did look very much indeed as if they were going up and down. He had only once been in a ship (and then only as far as the Isle of Wight) and had been horribly seasick. The look of the waves in the picture made him feel sick again. He turned rather green and tried another look. And then all three children were staring with open mouths.

What they were seeing may be hard to believe when you read it in print, but it was almost as hard to believe when you saw it happening. The things in the picture were moving. It didn't look at all like a cinema either; the colours were too real and clean and out-of-doors for that. Down went the prow of the ship into the wave and up went a great shock of spray. And then up went the wave behind her, and her stern and her deck became visible for the first time, and then disappeared as the next wave came to meet her and her bows went up again. At the same moment an exercise book which had been lying beside Edmund on the bed flapped, rose and sailed through the air to the wall behind him, and Lucy felt all her hair whipping round her face as it does on a windy day. And this was a windy day; but the wind was blowing out of the picture towards them. And suddenly with the wind came the noises-the swishing of waves and the slap of water against the ship's sides and the creaking and the overall high steady roar of air and water. But it was the smell, the wild, briny smell, which really convinced Lucy that she was not dreaming.

"Stop it," came Eustace's voice, squeaky with fright and bad temper. "It's some silly trick you two are playing. Stop it. I'll tell Alberta - Ow!"

The other two were much more accustomed to adventures, but, just exactly as Eustace Clarence said "Ow," they both said "Ow" too. The reason was that a great cold, salt splash had broken right out of the frame and they were breathless from the smack of it, besides being wet through.

"I'll smash the rotten thing," cried Eustace; and then several things happened at the same time. Eustace rushed towards the picture. Edmund, who knew something about magic, sprang after him, warning him to look out and not to be a fool. Lucy grabbed at him from the other side and was dragged forward. And by this time either they had grown much smaller or the picture had grown bigger. Eustace jumped to try to pull it off the wall and found himself standing on the frame; in front of him was not glass but real sea, and wind and waves rushing up to the frame as they might to a rock. He lost his head and clutched at the other two who had jumped up beside him. There was a second of struggling and shouting, and just as they thought they had got their balance a great blue roller surged up round them, swept them off their feet, and drew them down into the sea. Eustace's despairing cry suddenly ended as the water got into his mouth.

Lucy thanked her stars that she had worked hard at her swimming last summer term. It is true that she would have got on much better if she had used a slower stroke, and also that the water felt a great deal colder than it had looked while it was only a picture. Still, she kept her head and kicked her shoes off, as everyone ought to do who falls into deep water in their clothes. She even kept her mouth shut and her eyes open. They were still quite near the ship; she saw its green side towering high above them, and people looking at her from the deck. Then, as one might have expected, Eustace clutched at her in a panic and down they both went.

When they came up again she saw a white figure diving off the ship's side. Edmund was close beside her now, treading water, and had caught the arms of the howling Eustace. Then someone else, whose face was vaguely familiar, slipped an arm under her from the other side. There was a lot of shouting going on from the ship, heads crowding together above the bulwarks, ropes being thrown. Edmund and the stranger were fastening ropes round her. After that followed what seemed a very long delay during which her face got blue and her teeth began chattering. In reality the delay was not very long; they were waiting till the moment when she could be got on board the ship without being dashed against its side. Even with all their best endeavours she had a bruised knee when she finally stood, dripping and shivering, on the deck. After her Edmund was heaved up, and then the miserable Eustace. Last of all came the stranger - a golden-headed boy some years older than herself.

"Ca - Ca - Caspian!" gasped Lucy as soon as she had breath enough. For Caspian it was; Caspian, the boy king of Narnia whom they had helped to set on the throne during their last visit. Immediately Edmund recognized him too. All three shook hands and clapped one another on the back with great delight.

"But who is your friend?" said Caspian almost at once, turning to Eustace with his cheerful smile. But Eustace was crying much harder than any boy of his age has a right to cry when nothing worse than a wetting has happened to him, and would only yell out, "Let me go. Let me go back. I don't like it."

"Let you go?" said Caspian. "But where?"

Eustace rushed to the ship's side, as if he expected to see the picture frame hanging above the sea, and perhaps a glimpse of Lucy's bedroom. What he saw was blue waves flecked with foam, and paler blue sky, both spreading without a break to the horizon. Perhaps we can hardly blame him if his heart sank. He was promptly sick.

"Hey! Rynelf," said Caspian to one of the sailors. "Bring spiced wine for their Majesties. You'll need something to warm you after that dip." He called Edmund and Lucy their Majesties because they and Peter and Susan had all been Kings and Queens of Narnia long before his time. Narnian time flows differently from ours. If you spent a hundred years in Narnia, you would still come back to our world at the very same hour of the very same day on which you left. And then, if you went back to Narnia after spending a week here, you might find that a thousand Narnian years had passed, or only a day, or no time at all. You never know till you get there. Consequently, when the Pevensie children had returned to Narnia last time for their second visit, it was (for the Narnians) as if King Arthur came back to Britain, as some people say he will. And I say the sooner the better.

Rynelf returned with the spiced wine steaming in a flagon and four silver cups. It was just what one wanted, and as Lucy and Edmund sipped it they could feel the warmth going right down to their toes. But Eustace made faces and spluttered and spat it out and was sick again and began to cry again and asked if they hadn't any Plumptree's Vitaminized Nerve Food and could it be made with distilled water and anyway he insisted on being put ashore at the next station.

"This is a merry shipmate you've brought us, Brother," whispered Caspian to Edmund with a chuckle; but before he could say anything more Eustace burst out again.

"Oh! Ugh! What on earth's that! Take it away, the horrid thing."

He really had some excuse this time for feeling a little surprised. Something very curious indeed had come out of the cabin in the poop and was slowly approaching them. You might call it - and indeed it was - a Mouse. But then it was a Mouse on its hind legs and stood about two feet high. A thin band of gold passed round its head under one ear and over the other and in this was stuck a long crimson feather. (As the Mouse's fur was very dark, almost black, the effect was bold and striking.) Its left paw rested on the hilt of a sword very nearly as long as its tail. Its balance, as it paced gravely along the swaying deck, was perfect, and its manners courtly. Lucy and Edmund recognized it at once Reepicheep, the most valiant of all the Talking Beasts of Narnia, and the Chief Mouse. It had won undying glory in the second Battle of Beruna. Lucy longed, as she had always done, to take Reepicheep up in her arms and cuddle him. But this, as she well knew, was a pleasure she could never have: it would have offended him deeply. Instead, she went down on one knee to talk to him.

Reepicheep put forward his left leg, drew back his right, bowed, kissed her hand, straightened himself, twirled his whiskers, and said in his shrill, piping voice:

"My humble duty to your Majesty. And to King Edmund, too." (Here he bowed again.) "Nothing except your Majesties' presence was lacking to this glorious venture."

"Ugh, take it away," wailed Eustace. "I hate mice. And I never could bear performing animals. They're silly and vulgar and-and sentimental."

"Am I to understand," said Reepicheep to Lucy after a long stare at Eustace, "that this singularly discourteous person is under your Majesty's protection? Because, if not - "

At this moment Lucy and Edmund both sneezed.

"What a fool I am to keep you all standing here in your wet things," said Caspian. "Come on below and get changed. I'll give you my cabin of course, Lucy, but I'm afraid we have no women's clothes on board. You'll have to make do with some of mine. Lead the way, Reepicheep, like a good fellow."

"To the convenience of a lady," said Reepicheep, "even a question of honour must give way - at least for the moment - " and here he looked very hard at Eustace. But Caspian hustled them on and in a few minutes Lucy found herself passing through the door into the stern cabin. She fell in love with it at once - the three square windows that looked out on the blue, swirling water astern, the low cushioned benches round three sides of the table, the swinging silver lamp overhead (Dwarfs' work, she knew at once by its exquisite delicacy) and the flat gold image of Aslan the Lion on the forward wall above the door. All this she took in in a flash, for Caspian immediately opened a door on the starboard side, and said, "This'll be your room, Lucy. I'll just get some dry things for myself - " he was rummaging in one of the lockers while he spoke - "and then leave you to change. If you'll fling your wet things outside the door I'll get them taken to the galley to be dried."

Lucy found herself as much at home as if she had been in Caspian's cabin for weeks, and the motion of the ship did not worry her, for in the old days when she had been a queen in Narnia she had done a good deal of voyaging. The cabin was very tiny but bright with painted panels (all birds and beasts and crimson dragons and vines) and spotlessly clean. Caspian's clothes were too big for her, but she could manage. His shoes, sandals and sea-boots were hopelessly big but she did not mind going barefoot on board ship. When she had finished dressing she looked out of her window at the water rushing past and took a long deep breath. She felt quite sure they were in for a lovely time.BEHIND THE GYM

IT was a dull autumn day and Jill Pole was crying behind the gym.

She was crying because they had been bullying her. This is not going to be a school story, so I shall say as little as possible about Jill's school, which is not a pleasant subject. It was "Co-educational," a school for both boys and girls, what used to be called a "mixed" school; some said it was not nearly so mixed as the minds of the people who ran it. These people had the idea that boys and girls should be allowed to do what they liked. And unfortunately what ten or fifteen of the biggest boys and girls liked best was bullying the others. All sorts of things, horrid things, went on which at an ordinary school would have been found out and stopped in half a term; but at this school they weren't. Or even if they were, the people who did them were not expelled or punished. The Head said they were interesting psychological cases and sent for them and talked to them for hours. And if you knew the right sort of things to say to the Head, the main result was that you became rather a favourite than otherwise.

That was why Jill Pole was crying on that dull autumn day on the damp little path which runs between the back of the gym and the shrubbery. And she hadn't nearly finished her cry when a boy came round the corner of the gym whistling, with his hands in his pockets. He nearly ran into her.

"Can't you look where you're going?" said Jill Pole.

"All right," said the boy, "you needn't start - " and then he noticed her face. "I say, Pole," he said, "what's up?"

Jill only made faces; the sort you make when you're trying to say something but find that if you speak you'll start crying again.

"It's Them, I suppose - as usual," said the boy grimly, digging his hands farther into his pockets.

Jill nodded. There was no need for her to say anything, even if she could have said it. They both knew.

"Now, look here," said the boy, "there's no good us all - "

He meant well, but he did talk rather like someone beginning a lecture. Jill suddenly flew into a temper (which is quite a likely thing to happen if you have been interrupted in a cry).

"Oh, go away and mind your own business," she said. "Nobody asked you to come barging in, did they? And you're a nice person to start telling us what we all ought to do, aren't you? I suppose you mean we ought to spend all our time sucking up to Them, and currying favour, and dancing attendance on Them like you do."

"Oh, Lor!" said the boy, sitting down on the grassy bank at the edge of the shrubbery and very quickly getting up again because the grass was soaking wet. His name unfortunately was Eustace Scrubb, but he wasn't a bad sort.

"Pole!" he said. "Is that fair? Have I been doing anything of the sort this term? Didn't I stand up to Carter about the rabbit? And didn't I keep the secret about Spivvins - under torture too? And didn't I - "

"I d-don't know and I don't care," sobbed Jill.

Scrubb saw that she wasn't quite herself yet and very sensibly offered her a peppermint. He had one too. Presently Jill began to see things in a clearer light.

"I'm sorry, Scrubb," she said presently. "I wasn't fair. You have done all that - this term."

"Then wash out last term if you can," said Eustace. "I was a different chap then. I was - gosh! what a little tick I was."

"Well, honestly, you were," said Jill.

"You think there has been a change, then?" said Eustace.

"It's not only me," said Jill. "Everyone's been saying so. They've noticed it. Eleanor Blakiston heard Adela Pennyfather talking about it in our changing room yesterday. She said, `Someone's got hold of that Scrubb kid. He's quite unmanageable this term. We shall have to attend to him next.'"

Eustace gave a shudder. Everyone at Experiment House knew what it was like being "attended to" by Them.

Both children were quiet for a moment. The drops dripped off the laurel leaves.

"Why were you so different last term?" said Jill presently.

"A lot of queer things happened to me in the hols," said Eustace mysteriously.

"What sort of things?" asked Jill.

Eustace didn't say anything for quite a long time. Then he said:

"Look here, Pole, you and I hate this place about as much as anybody can hate anything, don't we?"

"I know I do," said Jill.

"Then I really think I can trust you."

"Dam' good of you," said Jill.

"Yes, but this is a really terrific secret. Pole, I say, are you good at believing things? I mean things that everyone here would laugh at?"

"I've never had the chance," said Jill, "but I think I would be."

"Could you believe me if I said I'd been right out of the world - outside this world - last hols?"

"I wouldn't know what you meant."

"Well, don't let's bother about that then. Supposing I told you I'd been in a place where animals can talk and where there are - er - enchantments and dragons - and well, all the sorts of things you have in fairy-tales." Scrubb felt terribly awkward as he said this and got red in the face.

"How did you get there?" said Jill. She also felt curiously shy.

"The only way you can - by Magic," said Eustace almost in a whisper. "I was with two cousins of mine. We were just - whisked away. They'd been there before."

Now that they were talking in whispers Jill somehow felt it easier to believe. Then suddenly a horrible suspicion came over her and she said (so fiercely that for the moment she looked like a tigress):

"If I find you've been pulling my leg I'll never speak to you again; never, never, never."

"I'm not," said Eustace. "I swear I'm not. I swear by everything."

(When I was at school one would have said, "I swear by the Bible." But Bibles were not encouraged at Experiment House.)

"All right," said Jill, "I'll believe you."

"And tell nobody?"

"What do you take me for?"

They were very excited as they said this. But when they had said it and Jill looked round and saw the dull autumn sky and heard the drip off the leaves and thought of all the hopelessness of Experiment House (it was a thirteen-week term and there were still eleven weeks to come) she said:

"But after all, what's the good? We're not there: we're here. And we jolly well can't get there. Or can we?"

"That's what I've been wondering," said Eustace. "When we came back from That Place, Someone said that the two Pevensie kids (that's my two cousins) could never go there again. It was their third time, you see. I suppose they've had their share. But he never said I couldn't. Surely he would have said so, unless he meant that I was to get back? And I can't help wondering, can we - could we - ?"

"Do you mean, do something to make it happen?"

Eustace nodded.

"You mean we might draw a circle on the ground - and write in queer letters in it - and stand inside it - and recite charms and spells?"

"Well," said Eustace after he had thought hard for a bit. "I believe that was the sort of thing I was thinking of, though I never did it. But now that it comes to the point, I've an idea that all those circles and things are rather rot. I don't think he'd like them. It would look as if we thought we could make him do things. But really, we can only ask him."

"Who is this person you keep on talking about?"

"They call him Aslan in That Place," said Eustace.

"What a curious name!"

"Not half so curious as himself," said Eustace solemnly. "But let's get on. It can't do any harm, just asking. Let's stand side by side, like this. And we'll hold out our arms in front of us with the palms down: like they did in Ramandu's island - "

"Whose island?"

"I'll tell you about that another time. And he might like us to face the east. Let's see, where is the east?"

"I don't know," said Jill.

"It's an extraordinary thing about girls that they never know the points of the compass," said Eustace.

"You don't know either," said Jill indignantly.

"Yes I do, if only you didn't keep on interrupting. I've got it now. That's the east, facing up into the laurels. Now, will you say the words after me?''

"What words?" asked Jill.

"The words I'm going to say, of course," answered Eustace. "Now - "

And he began, "Aslan, Aslan, Aslan!"

"Aslan, Aslan, Aslan," repeated Jill.

"Please let us two go into - "

At that moment a voice from the other side of the gym was heard shouting out, "Pole? Yes. I know where she is. She's blubbing behind the gym. Shall I fetch her out?"

Jill and Eustace gave one glance at each other, dived under the laurels, and began scrambling up the steep, earthy slope of the shrubbery at a speed which did them great credit. (Owing to the curious methods of teaching at Experiment House, one did not learn much French or Maths or Latin or things of that sort; but one did learn a lot about getting away quickly and quietly when They were looking for one.)

After about a minute's scramble they stopped to listen, and knew by the noises they heard that they were being followed.

"If only the door was open again!" said Scrubb as they went on, and Jill nodded. For at the top of the shrubbery was a high stone wall and in that wall a door by which you could get out on to open moor. This door was nearly always locked. But there had been times when people had found it open; or perhaps there had been only one time. But you may imagine how the memory of even one time kept people hoping, and trying the door; for if it should happen to be unlocked it would be a splendid way of getting outside the school grounds without being seen.

Jill and Eustace, now both very hot and very grubby from going along bent almost double under the laurels, panted up to the wall. And there was the door, shut as usual.HOW SHASTA SET OUT ON HIS TRAVELS

THIS is the story of an adventure that happened in Narnia and Calormen and the lands between, in the Golden Age when Peter was High King in Narnia and his brother and his two sisters were King and Queens under him.

In those days, far south in Calormen on a little creek of the sea, there lived a poor fisherman called Arsheesh, and with him there lived a boy who called him Father. The boy's name was Shasta. On most days Arsheesh went out in his boat to fish in the morning, and in the afternoon he harnessed his donkey to a cart and loaded the cart with fish and went a mile or so southward to the village to sell it. If it had sold well he would come home in a moderately good temper and say nothing to Shasta, but if it had sold badly he would find fault with him and perhaps beat him. There was always something to find fault with for Shasta had plenty of work to do, mending and washing the nets, cooking the supper, and cleaning the cottage in which they both lived.

Shasta was not at all interested in anything that lay south of his home because he had once or twice been to the village with Arsheesh and he knew that there was nothing very interesting there. In the village he only met other men who were just like his father - men with long, dirty robes, and wooden shoes turned up at the toe, and turbans on their heads, and beards, talking to one another very slowly about things that sounded dull. But he was very interested in everything that lay to the North because no one ever went that way and he was never allowed to go there himself. When he was sitting out of doors mending the nets, and all alone, he would often look eagerly to the North. One could see nothing but a grassy slope running up to a level ridge and beyond that the sky with perhaps a few birds in it.

Sometimes if Arsheesh was there Shasta would say, "O my Father, what is there beyond that hill?" And then if the fisherman was in a bad temper he would box Shasta's ears and tell him to attend to his work. Or if he was in a peaceable mood he would say, "O my son, do not allow your mind to be distracted by idle questions. For one of the poets has said, 'Application to business is the root of prosperity, but those who ask questions that do not concern them are steering the ship of folly towards the rock of indigence'."

Shasta thought that beyond the hill there must be some delightful secret which his father wished to hide from him. In reality, however, the fisherman talked like this because he didn't know what lay to the North. Neither did he care. He had a very practical mind.

One day there came from the South a stranger who was unlike any man that Shasta had seen before. He rode upon a strong dappled horse with flowing mane and tail and his stirrups and bridle were inlaid with silver. The spike of a helmet projected from the middle of his silken turban and he wore a shirt of chain mail. By his side hung a curving scimitar, a round shield studded with bosses of brass hung at his back, and his right hand grasped a lance. His face was dark, but this did not surprise Shasta because all the people of Calormen are like that; what did surprise him was the man's beard which was dyed crimson, and curled and gleaming with scented oil. But Arsheesh knew by the gold on the stranger's bare arm that he was a Tarkaan or great lord, and he bowed kneeling before him till his beard touched the earth and made signs to Shasta to kneel also.

The stranger demanded hospitality for the night which of course the fisherman dared not refuse. All the best they had was set before the Tarkaan for supper (and he didn't think much of it) and Shasta, as always happened when the fisherman had company, was given a hunk of bread and turned out of the cottage. On these occasions he usually slept with the donkey in its little thatched stable. But it was much too early to go to sleep yet, and Shasta, who had never learned that it is wrong to listen behind doors, sat down with his ear to a crack in the wooden wall of the cottage to hear what the grown-ups were talking about. And this is what he heard.

"And now, O my host," said the Tarkaan, "I have a mind to buy that boy of yours."

"O my master," replied the fisherman (and Shasta knew by the wheedling tone the greedy look that was probably coming into his face as he said it), "what price could induce your servant, poor though he is, to sell into slavery his only child and his own flesh? Has not one of the poets said, 'Natural affection is stronger than soup and offspring more precious than carbuncles?"'

"It is even so," replied the guest dryly. "But another poet has likewise said, "He who attempts to deceive the judicious is already baring his own back for the scourge." Do not load your aged mouth with falsehoods. This boy is manifestly no son of yours, for your cheek is as dark as mine but the boy is fair and white like the accursed but beautiful barbarians who inhabit the remote North."

"How well it was said," answered the fisherman, "that Swords can be kept off with shields but the Eye of Wisdom pierces through every defence! Know then, O my formidable guest, that because of my extreme poverty I have never married and have no child. But in that same year in which the Tisroc (may he live for ever) began his august and beneficent reign, on a night when the moon was at her full, it pleased the gods to deprive me of my sleep. Therefore I arose from my bed in this hovel and went forth to the beach to refresh myself with looking upon the water and the moon and breathing the cool air. And presently I heard a noise as of oars coming to me across the water and then, as it were, a weak cry. And shortly after, the tide brought to the land a little boat in which there was nothing but a man lean with extreme hunger and thirst who seemed to have died but a few moments before (for he was still warm), and an empty water-skin, and a child, still living. "Doubtless," said I, "these unfortunates have escaped from the wreck of a great ship, but by the admirable designs of the gods, the elder has starved himself to keep the child alive and has perished in sight of land." Accordingly, remembering how the gods never fail to reward those who befriend the destitute, and being moved by compassion (for your servant is a man of tender heart)  - "

"Leave out all these idle words in your own praise," interrupted the Tarkaan. "It is enough to know that you took the child - and have had ten times the worth of his daily bread out of him in labour, as anyone can see. And now tell me at once what price you put on him, for I am wearied with your loquacity."

"You yourself have wisely said," answered Arsheesh, "that the boy's labour has been to me of inestimable value. This must be taken into account in fixing the price. For if I sell the boy I must undoubtedly either buy or hire another to do his work."

"I'll give you fifteen crescents for him," said the Tarkaan.

"Fifteen!" cried Arsheesh in a voice that was something between a whine and a scream. "Fifteen! For the prop of my old age and the delight of my eyes! Do not mock my grey beard, Tarkaan though you be. My price is seventy."

At this point Shasta got up and tiptoed away. He had heard all he wanted, for he had open listened when men were bargaining in the village and knew how it was done. He was quite certain that Arsheesh would sell him in the end for something much more than fifteen crescents and much less than seventy, but that he and the Tarkaan would take hours in getting to an agreement.

You must not imagine that Shasta felt at all as you and I would feel if we had just overheard our parents talking about selling us for slaves. For one thing, his life was already little better than slavery; for all he knew, the lordly stranger on the great horse might be kinder to him than Arsheesh. For another, the story about his own discovery in the boat had filled him with excitement and with a sense of relief. He had often been uneasy because, try as he might, he had never been able to love the fisherman, and he knew that a boy ought to love his father. And now, apparently, he was no relation to Arsheesh at all. That took a great weight off his mind. "Why, I might be anyone!" he thought. "I might be the son of a Tarkaan myself - or the son of the Tisroc (may he live for ever) or of a god!"

He was standing out in the grassy place before the cottage while he thought these things. Twilight was coming on apace and a star or two was already out, but the remains of the sunset could still be seen in the west. Not far away the stranger's horse, loosely tied to an iron ring in the wall of the donkey's stable, was grazing. Shasta strolled over to it and patted its neck. It went on tearing up the grass and took no notice of him.

Then another thought came into Shasta's mind. "I wonder what sort of a man that Tarkaan is," he said out loud. "It would be splendid if he was kind. Some of the slaves in a great lord's house have next to nothing to do. They wear lovely clothes and eat meat every day. Perhaps he'd take me to the wars and I'd save his life in a battle and then he'd set me free and adopt me as his son and give me a palace and a chariot and a suit of armour. But then he might be a horrid cruel man. He might send me to work on the fields in chains. I wish I knew. How can I know? I bet this horse knows, if only he could tell me."

The Horse had lifted its head. Shasta stroked its smooth-as-satin nose and said, "I wish you could talk, old fellow."

And then for a second he thought he was dreaming, for quite distinctly, though in a low voice, the Horse said, "But I can."

Shasta stared into its great eyes and his own grew almost as big, with astonishment.

"How ever did you learn to talk?" he asked.

"Hush! Not so loud," replied the Horse. "Where I come from, nearly all the animals talk."

"Wherever is that?" asked Shasta.

"Narnia," answered the Horse. "The happy land of Narnia - Narnia of the heathery mountains and the thymy downs, Narnia of the many rivers, the plashing glens, the mossy caverns and the deep forests ringing with the hammers of the Dwarfs. Oh the sweet air of Narnia! An hour's life there is better than a thousand years in Calormen." It ended with a whinny that sounded very like a sigh.

"How did you get here?" said Shasta.

"Kidnapped," said the Horse. "Or stolen, or captured whichever you like to call it. I was only a foal at the time. My mother warned me not to range the Southern slopes, into Archenland and beyond, but I wouldn't heed her. And by the Lion's Mane I have paid for my folly. All these years I have been a slave to humans, hiding my true nature and pretending to be dumb and witless like their horses."

"Why didn't you tell them who you were?"

"Not such a fool, that's why. If they'd once found out I could talk they would have made a show of me at fairs and guarded me more carefully than ever. My last chance of escape would have been gone."

"And why  - " began Shasta, but the Horse interrupted him.

"Now look," it said, "we mustn't waste time on idle questions. You want to know about my master the Tarkaan Anradin. Well, he's bad. Not too bad to me, for a war horse costs too much to be treated very badly. But you'd better be lying dead tonight than go to be a human slave in his house tomorrow."

"Then I'd better run away," said Shasta, turning very pale.

"Yes, you had," said the Horse. "But why not run away with me?"

"Are you going to run away too?" said Shasta.

"Yes, if you'll come with me," answered the Horse. "This is the chance for both of us. You see if I run away without a rider, everyone who sees me will say "Stray horse" and be after me as quick as he can. With a rider I've a chance to get through. That's where you can help me. On the other hand, you can't get very far on those two silly legs of yours (what absurd legs humans have!) without being overtaken. But on me you can outdistance any other horse in this country. That's where I can help you. By the way, I suppose you know how to ride?"

"Oh yes, of course," said Shasta. "At least, I've ridden the donkey."

"Ridden the what?" retorted the Horse with extreme contempt. (At least, that is what he meant. Actually it came out in a sort of neigh - "Ridden the wha-ha-ha-ha-ha." Talking horses always become more horsy in accent when they are angry.)

"In other words," it continued, "you can't ride. That's a drawback. I'll have to teach you as we go along. If you can't ride, can you fall?"

"I suppose anyone can fall," said Shasta.

"1 mean can you fall and get up again without crying and mount again and fall again and yet not be afraid of falling?"

"I - I'll try," said Shasta. "Poor little beast," said the Horse in a gentler tone. "I forget you're only a foal. We'll make a fine rider of you in time. And now - we mustn't start until those two in the but are asleep. Meantime we can make our plans. My Tarkaan is on his way North to the great city, to Tashbaan itself and the court of the Tisroc  - "

"I say," put in Shasta in rather a shocked voice, "oughtn't you to say 'May he live for ever'?"

"Why?" asked the Horse. "I'm a free Narnian. And why should I talk slaves' and fools' talk? I don't want him to live for ever, and I know that he's not going to live for ever whether I want him to or not. And I can see you're from the free North too. No more of this Southern jargon between you and me! And now, back to our plans. As I said, my human was on his way North to Tashbaan."

"Does that mean we'd better go to the South?"

"I think not," said the Horse. "You see, he thinks I'm dumb and witless like his other horses. Now if I really were, the moment I got loose I'd go back home to my stable and paddock; back to his palace which is two days' journey South. That's where he'll look for me. He'd never dream of my going on North on my own. And anyway he will probably think that someone in the last village who saw him ride through has followed us to here and stolen me."

"Oh hurrah!" said Shasta. "Then we'll go North. I've been longing to go to the North all my life."

"Of course you have," said the Horse. "That's because of the blood that's in you. I'm sure you're true Northern stock. But not too loud. I should think they'd be asleep soon now."

"I'd better creep back and see," suggested Shasta.

"That's a good idea," said the Horse. "But take care you're not caught."

It was a good deal darker now and very silent except for the sound of the waves on the beach, which Shasta hardly noticed because he had been hearing it day and night as long as he could remember. The cottage, as he approached it, showed no light. When he listened at the front there was no noise. When he went round to the only window, he could hear, after a second or two, the familiar noise of the old fisherman's squeaky snore. It was funny to think that if all went well he would never hear it again. Holding his breath and feeling a little bit sorry, but much less sorry than he was glad, Shasta glided away over the grass and went to the donkey's stable, groped along to a place he knew where the key was hidden, opened the door and found the Horse's saddle and bridle which had been locked up there for the night. He bent forward and kissed the donkey's nose. "I'm sorry we can't take you," he said.

"There you are at last," said the Horse when he got back to it. "I was beginning to wonder what had become of you."

"I was getting your things out of the stable," replied Shasta. "And now, can you tell me how to put them on?"

For the next few minutes Shasta was at work, very cautiously to avoid jingling, while the Horse said things like, "Get that girth a bit tighter," or "You'll find a buckle lower down," or "You'll need to shorten those stirrups a good bit." When all was finished it said:

"Now; we've got to have reins for the look of the thing, but you won't be using them. Tie them to the saddle-bow: very slack so that I can do what I like with my head. And, remember - you are not to touch them."

"What are they for, then?" asked Shasta.

"Ordinarily they are for directing me," replied the Horse. "But as I intend to do all the directing on this journey, you'll please keep your hands to yourself. And there's another thing. I'm not going to have you grabbing my mane."

"But I say," pleaded Shasta. "If I'm not to hold on by the reins or by your mane, what am I to hold on by?"

"You hold on with your knees," said the Horse. "That's the secret of good riding. Grip my body between your knees as hard as you like; sit straight up, straight as a poker; keep your elbows in. And by the way, what did you do with the spurs?"

"Put them on my heels, of course," said Shasta. "I do know that much."

"Then you can take them off and put them in the saddlebag. We may be able to sell them when we get to Tashbaan. Ready? And now I think you can get up."

"Ooh! You're a dreadful height," gasped Shasta after his first, and unsuccessful, attempt.

"I'm a horse, that's all," was the reply. "Anyone would think I was a haystack from the way you're trying to climb up me! There, that's better. Now sit up and remember what I told you about your knees. Funny to think of me who has led cavalry charges and won races having a potato-sack like you in the saddle! However, off we go." It chuckled, not unkindly.

And it certainly began their night journey with great caution. First of all it went just south of the fisherman's cottage to the little river which there ran into the sea, and took care to leave in the mud some very plain hoof-marks pointing South. But as soon as they were in the middle of the ford it turned upstream and waded till they were about a hundred yards farther inland than the cottage. Then it selected a nice gravelly bit of bank which would take no footprints and came out on the Northern side. Then, still at a walking pace, it went Northward till the cottage, the one tree, the donkey's stable, and the creek - everything, in fact, that Shasta had ever known - had sunk out of sight in the grey summer-night darkness. They had been going uphill and now were at the top of the ridge - that ridge which had always been the boundary of Shasta's known world. He could not see what was ahead except that it was all open and grassy. It looked endless: wild and lonely and free.

"I say!" observed the Horse. "What a place for a gallop, eh!"

"Oh don't let's," said Shasta. "Not yet. I don't know how to - please, Horse. I don't know your name."THE WRONG DOOR

This is a story about something that happened long ago when your grandfather was a child. It is a very important story because it shows how all the comings and goings between our own world and the land of Narnia first began.

In those days Mr Sherlock Holmes was still living in Baker Street and the Bastables were looking for treasure in the Lewisham Road. In those days, if you were a boy you had to wear a stiff Eton collar every day, and schools were usually nastier than now. But meals were nicer; and as for sweets, I won't tell you how cheap and good they were, because it would only make your mouth water in vain. And in those days there lived in London a girl called Polly Plummer.

She lived in one of a long row of houses which were all joined together. One morning she was out in the back garden when a boy scrambled up from the garden next door and put his face over the wall. Polly was very surprised because up till now there had never been any children in that house, but only Mr Ketterley and Miss Ketterley, a brother and sister, old bachelor and old maid, living together. So she looked up, full of curiosity. The face of the strange boy was very grubby. It could hardly have been grubbier if he had first rubbed his hands in the earth, and then had a good cry, and then dried his face with his hands. As a matter of fact, this was very nearly what he had been doing.

"Hullo," said Polly.

"Hullo," said the boy. "What's your name?"

"Polly," said Polly. "What's yours?"

"Digory," said the boy.

"I say, what a funny name!" said Polly.

"It isn't half so funny as Polly," said Digory.

"Yes it is," said Polly.

"No, it isn't," said Digory.

"At any rate I do wash my face," said Polly, "Which is what you need to do; especially after - " and then she stopped. She had been going to say "After you've been blubbing," but she thought that wouldn't be polite.

"Alright, I have then," said Digory in a much louder voice, like a boy who was so miserable that he didn't care who knew he had been crying. "And so would you," he went on, "if you'd lived all your life in the country and had a pony, and a river at the bottom of the garden, and then been brought to live in a beastly Hole like this."

"London isn't a Hole," said Polly indignantly. But the boy was too wound up to take any notice of her, and he went on "And if your father was away in India - and you had to come and live with an Aunt and an Uncle who's mad (who would like that?) - and if the reason was that they were looking after your Mother - and if your Mother was ill and was going to - going to - die." Then his face went the wrong sort of shape as it does if you're trying to keep back your tears.

"I didn't know. I'm sorry," said Polly humbly. And then, because she hardly knew what to say, and also to turn Digory's mind to cheerful subjects, she asked:

"Is Mr Ketterley really mad?"

"Well either he's mad," said Digory, "or there's some other mystery. He has a study on the top floor and Aunt Letty says I must never go up there. Well, that looks fishy to begin with. And then there's another thing. Whenever he tries to say anything to me at meal times - he never even tries to talk to her - she always shuts him up. She says, "Don't worry the boy, Andrew" or "I'm sure Digory doesn't want to hear about that" or else "Now, Digory, wouldn't you like to go out and play in the garden?"

"What sort of things does he try to say?"

"I don't know. He never gets far enough. But there's more than that. One night - it was last night in fact - as I was going past the foot of the attic-stairs on my way to bed (and I don't much care for going past them either) I'm sure I heard a yell."

"Perhaps he keeps a mad wife shut up there."

"Yes, I've thought of that."

"Or perhaps he's a coiner."

"Or he might have been a pirate, like the man at the beginning of Treasure Island, and be always hiding from his old shipmates."

"How exciting!" said Polly, "I never knew your house was so interesting."

"You may think it interesting," said Digory. "But you wouldn't like it if you had to sleep there. How would you like to lie awake listening for Uncle Andrew's step to come creeping along the passage to your room? And he has such awful eyes."

That was how Polly and Digory got to know one another: and as it was just the beginning of the summer holidays and neither of them was going to the sea that year, they met nearly every day.

Their adventures began chiefly because it was one of the wettest and coldest summers there had been for years. That drove them to do indoor things: you might say, indoor exploration. It is wonderful how much exploring you can do with a stump of candle in a big house, or in a row of houses. Polly had discovered long ago that if you opened a certain little door in the box-room attic of her house you would find the cistern and a dark place behind it which you could get into by a little careful climbing. The dark place was like a long tunnel with brick wall on one side and sloping roof on the other. In the roof there were little chunks of light between the slates. There was no floor in this tunnel: you had to step from rafter to rafter, and between them there was only plaster. If you stepped on this you would find yourself falling through the ceiling of the room below. Polly had used the bit of the tunnel just beside the cistern as a smugglers' cave. She had brought up bits of old packing cases and the seats of broken kitchen chairs, and things of that sort, and spread them across from rafter to rafter so as to make a bit of floor. Here she kept a cash-box containing various treasures, and a story she was writing and usually a few apples. She had often drunk a quiet bottle of ginger-beer in there: the old bottles made it look more like a smugglers' cave.

Digory quite liked the cave (she wouldn't let him see the story) but he was more interested in exploring.

"Look here," he said. "How long does this tunnel go on for? I mean, does it stop where your house ends?"

"No," said Polly. "The walls don't go out to the roof. It goes on. I don't know how far."

"Then we could get the length of the whole row of houses."

"So we could," said Polly, "And oh, I say!"

"What?"

"We could get into the other houses."

"Yes, and get taken up for burglars! No thanks."

"Don't be so jolly clever. I was thinking of the house beyond yours." ,

"What about it?"

"Why, it's the empty one. Daddy says it's always been empty since we came here."

"I suppose we ought to have a look at it then," said Digory. He was a good deal more excited than you'd have thought from the way he spoke. For of course he was thinking, just as you would have been, of all the reasons why the house might have been empty so long. So was Polly. Neither of them said the word "haunted". And both felt that once the thing had been suggested, it would be feeble not to do it.

"Shall we go and try it now?" said Digory.

"Alright," said Polly.

"Don't if you'd rather not," said Digory.

"I'm game if you are," said she.

"How are we to know we're in the next house but one?" They decided they would have to go out into the boxroom and walk across it taking steps as long as the steps from one rafter to the next. That would give them an idea of how many rafters went to a room. Then they would allow about four more for the passage between the two attics in Polly's house, and then the same number for the maid's bedroom as for the box-room. That would give them the length of the house. When they had done that distance twice they would be at the end of Digory's house; any door they came to after that would let them into an attic of the empty house.

"But I don't expect it's really empty at all," said Digory.

"What do you expect?"

"I expect someone lives there in secret, only coming in and out at night, with a dark lantern. We shall probably discover a gang of desperate criminals and get a reward. It's all rot to say a house would be empty all those years unless there was some mystery."

"Daddy thought it must be the drains," said Polly.

"Pooh! Grown-ups are always thinking of uninteresting explanations," said Digory. Now that they were talking by daylight in the attic instead of by candlelight in the Smugglers' Cave it seemed much less likely that the empty house would be haunted.

When they had measured the attic they had to get a pencil and do a sum. They both got different answers to it at first, and even when they agreed I am not sure they got it right. They were in a hurry to start on the exploration.

"We mustn't make a sound," said Polly as they climbed in again behind the cistern. Because it was such an important occasion they took a candle each (Polly had a good store of them in her cave).

It was very dark and dusty and draughty and they stepped from rafter to rafter without a word except when they whispered to one another, "We're opposite your attic now" or "this must be halfway through our house". And neither of them stumbled and the candles didn't go out, and at last they came where they could see a little door in the brick wall on their right. There was no bolt or handle on this side of it, of course, for the door had been made for getting in, not for getting out; but there was a catch (as there often is on the inside of a cupboard door) which they felt sure they would be able to turn.

"Shall I?" said Digory.

"I'm game if you are," said Polly, just as she had said before. Both felt that it was becoming very serious, but neither would draw back. Digory pushed round the catch with some difficultly. The door swung open and the sudden daylight made them blink. Then, with a great shock, they saw that they were looking, not into a deserted attic, but into a furnished room. But it seemed empty enough. It was dead silent. Polly's curiosity got the better of her. She blew out her candle and stepped out into the strange room, making no more noise than a mouse.

It was shaped, of course, like an attic, but furnished as a sitting-room. Every bit of the walls was lined with shelves and every bit of the shelves was full of books. A fire was burning in the grate (you remember that it was a very cold wet summer that year) and in front of the fire-place with its back towards them was a high-backed armchair. Between the chair and Polly, and filling most of the middle of the room, was a big table piled with all sorts of things printed books, and books of the sort you write in, and ink bottles and pens and sealing-wax and a microscope. But what she noticed first was a bright red wooden tray with a number of rings on it. They were in pairs - a yellow one and a green one together, then a little space, and then another yellow one and another green one. They were no bigger than ordinary rings, and no one could help noticing them because they were so bright. They were the most beautiful shiny little things you can imagine. If Polly had been a very little younger she would have wanted to put one in her mouth.

The room was so quiet that you noticed the ticking of the clock at once. And yet, as she now found, it was not absolutely quiet either. There was a faint - a very, very faint - humming sound. If Hoovers had been invented in those days Polly would have thought it was the sound of a Hoover being worked a long way off - several rooms away and several floors below. But it was a nicer sound than that, a more musical tone: only so faint that you could hardly hear it.

"It's alright; there's no one here," said Polly over her shoulder to Digory. She was speaking above a whisper now. And Digory came out, blinking and looking extremely dirty - as indeed Polly was too.

"This is no good," he said. "It's not an empty house at all. We'd better bunk before anyone comes."

"What do you think those are?" said Polly, pointing at the coloured rings.'

"Oh come on," said Digory. "The sooner-"

He never finished what he was going to say for at that moment something happened. The high-backed chair in front of the fire moved suddenly and there rose up out of it - like a pantomime demon coming up out of a trapdoor the alarming form of Uncle Andrew. They were not in the empty house at all; they were in Digory's house and in the forbidden study! Both children said "O-o-oh" and realized their terrible mistake. They felt they ought to have known all along that they hadn't gone nearly far enough.

Uncle Andrew was tall and very thin. He had a long clean-shaven face with a sharply-pointed nose and extremely bright eyes and a great tousled mop of grey hair.

Digory was quite speechless, for Uncle Andrew looked a thousand times more alarming than he had ever looked before. Polly was not so frightened yet; but she soon was. For the very first thing Uncle Andrew did was to walk across to the door of the room, shut it, and turn the key in the lock. Then he turned round, fixed the children with his bright eyes, and smiled, showing all his teeth.

"There!" he said. "Now my fool of a sister can't get at you!"

It was dreadfully unlike anything a grown-up would be expected to do. Polly's heart came into her mouth, and she and Digory started backing towards the little door they had come in by. Uncle Andrew was too quick for them. He got behind them and shut that door too and stood in front of it. Then he rubbed his hands and made his knuckles crack. He had very long, beautifully white, fingers.

"I am delighted to see you," he said. "Two children are just what I wanted."

"Please, Mr Ketterley," said Polly. "It's nearly my dinner time and I've got to go home. Will you let us out, please?"

"Not just yet," said Uncle Andrew. "This is too good an opportunity to miss. I wanted two children. You see, I'm in the middle of a great experiment. I've tried it on a guinea-pig and it seemed to work. But then a guinea-pig can't tell you anything. And you can't explain to it how to come back."IN the last days of Narnia, far up to the west beyond Lantern Waste and close beside the great waterfall, there lived an Ape. He was so old that no one could remember when he had first come to live in those parts, and he was the cleverest, ugliest, most wrinkled Ape you can imagine. He had a little house, built of wood and thatched with leaves, up in the fork of a great tree, and his name was Shift. There were very few Talking Beasts or Men or Dwarfs, or people of any sort, in that part of the wood, but Shift had one friend and neighbour who was a donkey called Puzzle. At least they both said they were friends, but from the way things went on you might have thought Puzzle was more like Shift's servant than his friend. He did all the work. When they went together to the river, Shift filled the big skin bottles with water but it was Puzzle who carried them back. When they wanted anything from the towns further down the river it was Puzzle who went down with empty panniers on his back and came back with the panniers full and heavy. And all the nicest things that Puzzle brought back were eaten by Shift; for as Shift said, "You see, Puzzle, I can't eat grass and thistles like you, so it's only fair I should make it up in other ways." And Puzzle always said, "Of course, Shift, of course. I see that." Puzzle never complained, because he knew that Shift was far cleverer than himself and he thought it was very kind of Shift to be friends with him at all. And if ever Puzzle did try to argue about anything, Shift would always say, "Now, Puzzle, I understand what needs to be done better than you. You know you're not clever, Puzzle." And Puzzle always said, "No, Shift. It's quite true. I'm not clever." Then he would sigh and do whatever Shift had said.

One morning early in the year the pair of them were out walking along the shore of Caldron Pool. Caldron Pool is the big pool right under the cliffs at the western end of Narnia. The great waterfall pours down into it with a noise like everlasting thunder, and the River of Narnia flows out on the other side. The waterfall keeps the Pool always dancing and bubbling and churning round and round as if it were on the boil, and that of course is how it got its name of Caldron Pool. It is liveliest in the early spring when the waterfall is swollen with all the snow that has melted off the mountains from up beyond Narnia in the Western Wild from which the river comes. And as they looked at Caldron Pool Shift suddenly pointed with his dark, skinny finger and said,

"Look! What's that?"

"What's what?" said Puzzle.

"That yellow thing that's just come down the waterfall. Look! There it is again, it's floating. We must find out what it is."

"Must we?" said Puzzle.

"Of course we must," said Shift. "It may be something useful. Just hop into the Pool like a good fellow and fish it out. Then we can have a proper look at it."

"Hop into the Pool?" said Puzzle, twitching his long ears.

"Well how are we to get it if you don't?" said the Ape.

"But - but," said Puzzle, "wouldn't it be better if you went in? Because, you see, it's you who wants to know what it is, and I don't much. And you've got hands, you see. You're as good as a Man or a Dwarf when it comes to catching hold of things. I've only got hoofs."

"Really, Puzzle," said Shift, "I didn't think you'd ever say a thing like that. I didn't think it of you, really."

"Why, what have I said wrong?" said the Ass, speaking in rather a humble voice, for he saw that Shift was very deeply offended. "All I meant was - "

"Wanting me to go into the water," said the Ape. "As if you didn't know perfectly well what weak chests Apes always have and how easily they catch cold! Very well. I will go in. I'm feeling cold enough already in this cruel wind. But I'll go in. I shall probably die. Then you'll be sorry." And Shift's voice sounded as if he was just going to burst into tears.

"Please don't, please don't, please don't," said Puzzle, half braying, and half talking. "I never meant anything of the sort, Shift, really I didn't. You know how stupid I am and how I can't think of more than one thing at a time. I'd forgotten about your weak chest. Of course I'll go in. You mustn't think of doing it yourself. Promise me you won't, Shift."

So Shift promised, and Puzzle went cloppety-clop on his four hoofs round the rocky edge of the Pool to find a place where he could get in. Quite apart from the cold it was no joke getting into that quivering and foaming water, and Puzzle had to stand and shiver for a whole minute before he made up his mind to do it. But then Shift called out from behind him and said: "Perhaps I'd better do it after all, Puzzle." And when Puzzle heard that he said, "No, no. You promised. I'm in now," and in he went.

A great mass of foam got him in the face and filled his mouth with water and blinded him. Then he went under altogether for a few seconds, and when he came up again he was in quite another part of the Pool. Then the swirl caught him and carried him round and round and faster and faster till it took him right under the waterfall itself, and the force of the water plunged him down, deep down, so that he thought he would never be able to hold his breath till he came up again. And when he had come up and when at last he got somewhere near the thing he was trying to catch, it sailed away from him till it too got under the fall and was forced down to the bottom. When it came up again it was further from him than ever. But at last, when he was almost tired to death, and bruised all over and numb with cold, he succeeded in gripping the thing with his teeth. And out he came carrying it in front of him and getting his front hoofs tangled up in it, for it was as big as a large hearthrug, and it was very heavy and cold and slimy.

He flung it down in front of Shift and stood dripping and shivering and trying to get his breath back. But the Ape never looked at him or asked him how he felt. The Ape was too busy going round and round the Thing and spreading it out and patting it and smelling it. Then a wicked gleam came into his eye and he said:

"It is a lion's skin."

"Ee - auh - auh - oh, is it?" gasped Puzzle.

"Now I wonder... I wonder... I wonder," said Shift to himself, for he was thinking very hard.

"I wonder who killed the poor lion," said Puzzle presently. "It ought to be buried. We must have a funeral."

"Oh, it wasn't a Talking Lion," said Shift. "You needn't bother about that. There are no Talking Beasts up beyond the Falls, up in the Western Wild. This skin must have belonged to a dumb, wild lion."

This, by the way, was true. A Hunter, a Man, had killed and skinned this lion somewhere up in the Western Wild several months before. But that doesn't come into this story.

"All the same, Shift," said Puzzle, "even if the skin only belonged to a dumb, wild lion, oughtn't we to give it a decent burial? I mean, aren't all lions rather - well, rather solemn? Because of you know Who. Don't you see?"

"Don't you start getting ideas into your head, Puzzle," said Shift. "Because, you know, thinking isn't your strong point. We'll make this skin into a fine warm winter coat for you."

"Oh, I don't think I'd like that," said the Donkey. "It would look - I mean, the other Beasts might think - that is to say, I shouldn't feel - "

"What are you talking about?" said Shift, scratching himself the wrong way up as Apes do.

"I don't think it would be respectful to the Great Lion, to Aslan himself, if an ass like me went about dressed up in a lion-skin," said Puzzle.

"Now don't stand arguing, please," said Shift. "What does an ass like you know about things of that sort? You know you're no good at thinking, Puzzle, so why don't you let me do your thinking for you? Why don't you treat me as I treat you? I don't think I can do everything. I know you're better at some things than I am. That's why I let you go into the Pool; I knew you'd do it better than me. But why can't I have my turn when it comes to something I can do and you can't? Am I never to be allowed to do anything? Do be fair. Turn and turn about."

"Oh, well, of course, if you put it that way," said Puzzle.

"I tell you what," said Shift. "You'd better take a good brisk trot down river as far as Chippingford and see if they have any oranges or bananas."

"But I'm so tired, Shift," pleaded Puzzle.

"Yes, but you are very cold and wet," said the Ape. "You want something to warm you up. A brisk trot would be just the thing. Besides, it's market day at Chippingford today." And then of course Puzzle said he would go.

As soon as he was alone Shift went shambling along, sometimes on two paws and sometimes on four, till he reached his own tree. Then he swung himself up from branch to branch, chattering and grinning all the time, and went into his little house. He found needle and thread and a big pair of scissors there; for he was a clever Ape and the Dwarfs had taught him how to sew. He put the ball of thread (it was very thick stuff, more like cord than thread) into his mouth so that his cheek bulged out as if he were sucking a big bit of toffee. He held the needle between his lips and took the scissors in his left paw. Then he came down the tree and shambled across to the lion-skin. He squatted down and got to work.

He saw at once that the body of the lion-skin would be too long for Puzzle and its neck too short. So he cut a good piece out of the body and used it to make a long collar for Puzzle's long neck. Then he cut off the head and sewed the collar in between the head and the shoulders. He put threads on both sides of the skin so that it would tie up under Puzzle's chest and stomach. Every now and then a bird would pass overhead and Shift would stop his work, looking anxiously up. He did not want anyone to see what he was doing. But none of the birds he saw were Talking Birds, so it didn't matter.

Late in the afternoon Puzzle came back. He was not trotting but only plodding patiently along, the way donkeys do.

"There weren't any oranges," he said, "and there weren't any bananas. And I'm very tired." He lay down.

"Come and try on your beautiful new lion-skin coat," said Shift.

"Oh bother that old skin," said Puzzle. "I'll try it on in the morning. I'm too tired tonight."

"You are unkind, Puzzle," said Shift. "If you're tired what do you think I am? All day long, while you've been having a lovely refreshing walk down the valley, I've been working hard to make you a coat. My paws are so tired I can hardly hold these scissors. And you won't say thank you - and you won't even look at the coat - and you don't care - and - and-"

"My dear Shift," said Puzzle getting up at once, "I am so sorry. I've been horrid. Of course I'd love to try it on. And it looks simply splendid. Do try it on me at once. Please do."

"Well, stand still then," said the Ape. The skin was very heavy for him to lift, but in the end, with a lot of pulling and pushing and puffing and blowing, he got it on to the donkey. He tied it underneath Puzzle's body and he tied the legs to Puzzle's legs and the tail to Puzzle's tail. A good deal of Puzzle's grey nose and face could be seen through the open mouth of the lion's head. No one who had ever seen a real lion would have been taken in for a moment. But if someone who had never seen a lion looked at Puzzle in his lion-skin he just might mistake him for a lion, if he didn't come too close, and if the light was not too good, and if Puzzle didn't let out a bray and didn't make any noise with his hoofs.

"You look wonderful, wonderful," said the Ape. "If anyone saw you now, they'd think you were Aslan, the Great Lion, himself."

"That would be dreadful," said Puzzle.

"No it wouldn't," said Shift. "Everyone would do whatever you told them."

"But I don't want to tell them anything."

"But you think of the good we could do!" said Shift. "You'd have me to advise you, you know. I'd think of sensible orders for you to give. And everyone would have to obey us, even the King himself. We would set everything right in Narnia."

"But isn't everything right already?" said Puzzle.

"What!" cried Shift. "Everything right?-when there are no oranges or bananas?"

"Well, you know," said Puzzle, "there aren't many people - in fact, I don't think there's anyone but yourself who wants those sort of things."

"There's sugar too," said Shift.

"H'm yes," said the Ass. "It would be nice if there was more sugar."

"Well then, that's settled," said the Ape. "You will pretend to be Aslan, and I'll tell you what to say."

"No, no, no," said Puzzle. "Don't say such dreadful things. It would be wrong, Shift. I maybe not very clever but I know that much. What would become of us if the real Aslan turned up?"

"I expect he'd be very pleased," said Shift. "Probably he sent us the lion-skin on purpose, so that we could set things to right. Anyway, he never does turn up, you know. Not nowadays."

At that moment there came a great thunderclap right overhead and the ground trembled with a small earthquake. Both the animals lost their balance and were flung on their faces.

"There!" gasped Puzzle, as soon as he had breath to speak. "It's a sign, a warning. I knew we were doing something dreadfully wicked. Take this wretched skin off me at once."

"No, no," said the Ape (whose mind worked very quickly). "It's a sign the other way. I was just going to say that if the real Aslan, as you call him, meant us to go on with this, he would send us a thunderclap and an earth-tremor. It was just on the tip of my tongue, only the sign itself came before I could get the words out. You've got to do it now, Puzzle. And please don't let us have any more arguing. You know you don't understand these things. What could a donkey know about signs?"